When stereo mix summed to mono, side information dissapears?

Asked by: Veronica Zimmerman

Why do sounds disappear in mono?

If you listen in mono and suddenly the backing vocals sound weaker or the guitar solo almost disappears, chances are you need to ease off the stereo processing. If you add too much stereo delay on a guitar solo, it might disappear when you sum everything to mono.

How do you mix stereo without sucking in mono?

But angled 90 degrees apart. This means that signals to the left or the right of the array will end up louder in the left or right channel. But they arrived at both microphones at the same time.

How do you balance mono and stereo?

We can hold down shift. And actually pull these off. Until we see the center icon. Like so and now it's a mono signal.

How do you make stereo mix sound good with mono?

If you pan the exact same element left and right in your mix, you’ll end up with a sound that plays back centered in the stereo field. To create width that does a good job of translating into mono, try adding a slight delay to a mirrored track, and apply something like Waves UltraPitch to modulate its pitch and time.

Why should you check your mix in mono?

Mono Can Reveal What’s Still Needed

By dropping the stereo field and checking your mix in mono, you can get a clearer picture of how your tracks are interacting with each other and what still may be needed to “glue” everything together.

What elements in a mix should be mono?

Less important stereo sound effects and details can sit out to the sides of a mix, but core elements – drums, lead, bass and vocals – must maintain a strong mono presence.

Should I eq in mono?

If you’re new to mixing music, mixing in mono is a thing you may not have heard of. And it’s a very important thing. You should mix in mono before you add any EQ, compression, or other plugins. And you should do this with every mix if you want an industry-standard track.

Should you pan in mono?

A mono track can be panned anywhere in the mix – hard left, hard right, and anywhere in between. In fact, panning a mono track, can sometimes create a much more defined and focused picture of the sound you are panning – rather than trying to pan a stereo file (more on that below).

Should hi hats be mono or stereo?

The kick and the snare should be mono, the open-hats and the toms should be panned, and the closed hi-hats can be both panned and stereo.

Which frequencies should be in mono?

As a general rule of thumb, it’s considered common practice to sum anything below 200hz to mono. This means your bass, sub-bass, and kick drum will almost always be summed to mono. Remember, some bass instruments don’t contain only bass frequencies and may have mid or high ends.

How do you balance mix?

So the only way you can do that and get that right when you're mixing to get your balance to get the focus point work backwards down the team is to listen. So quietly.

What does stereo separation mean?

stereo separation, or stereo split, is basically the act, of grabbing the two individual audio channels of a stereo file, which basically contains two mono files, and rendering them as a individual files.

Why is my mix so quiet?

The reason your recording is quiet is because your peak levels are approaching zero while your RMS values are comparatively low – it has too wide a dynamic range. In order to raise the level even more, we must first lower the peak level so that we can then raise everything up.

How do you fix a quiet mix?

So the idea is very simple a limiter has a ceiling to it that nothing can get past. And you just turn up the signal into that ceiling. It's like a freeway to get more volume.

Why do my mixes not sound professional?

One of the most common problems with mixes occurs when too much is happening in any one part of the musical plane (or to look at it another way, not enough). Try to think of music in three dimensions, and first, check the width. Great mixes spread themselves like a warm audio blanket across the entire stereo spectrum.

How do you master without losing dynamics?

And make it a bit louder is by first putting a limiter on your master track or individual track and analyze. The dynamic. Range. If your limiter doesn't have a visualizer.

How loud should my mix be before mastering?

How Loud Should My Track Be Before Mastering? If you want to send your mix off to get mastered, you should aim for around -6dB Peak, and anywhere from -23 dBFS RMS or LUFS to -18 dBFS RMS or LUFS average. That’s the quick answer, but as usual, it’s a bit more nuanced than that.

How can I make my mix more dynamic?

Tip number one is bring the front of the microphone to within four finger widths. Away from your mouth. This is a lighter microphone bring the microphone.