Asked by: Randall Marbury
SOS contributor Mike Senior replies: One situation where you might reach for a mono reverb is where you want to avoid cluttering the mix. The thing about stereo reverb is that it does tend to wash right across the stereo image, whether you want it to or not, even if you’re sending to it from a mono track.
Should my reverb be mono or stereo?
Use a mono reverb and pan the dry signal and the reverb return to opposite sides. If the sound you’re going to process needs to be panned center or close to it, use a stereo reverb with a reverb time shorter than one second.
What is stereo reverb?
Reverb Is Stereo.
A reverb effect recreates the way we perceive sound in an enclosed space. Since we have the privilege of having two ears we can safely say that no one ever experienced natural reverb in Mono (except those deaf from one ear).
What kind of reverb is best for vocals?
They’re also the easiest to fit inconspicuously into a mix. Room reverbs are appropriate for vocals, guitars, pianos, drums — just about everything. When used in moderation, these reverbs can add space to a source while maintaining an intimate, in-person character.
What is the best reverb settings?
Abbey Road engineers initially thought 600 Hz and 10 kHz was a good starting point, but you can decide for yourself what sounds best for your mix. You’ll find that the low end that caused all the muddiness is gone right away. For vocal reverb, you can even come down to around 7 kHz, or even lower if you’d like.
Should I use mono or stereo plugins?
If you want your vocals to sound stereo, use the mono-to-stereo version on a stereo track. The audio is, of course, mono (one channel) or stereo (two channels, L and R).
How do you use mono reverb?
I can kind of use the early reflections I'm just going to use like a bit of reverb kind of go with a really short reverb. Time here on this this is kind of the basic.
What is the difference between mono and stereo?
The difference between mono and stereo audio is that mono audio has just one channel, whereas stereo contains two channels. In addition, mono audio preserves all sound in a single channel, whereas stereo separates sound into two channels – left and right. They are typically represented by M & S, respectively.
Should I pan reverb?
Pan Your Reverbs
Instead of using a stereo reverb, try a mono one and pan it opposite the instrument you’re sending to it. This works especially well on double-tracked instruments like electric guitar. You can pan the left guitar’s reverb right and the right guitar’s reverb left for a lot more width and dimension.
How do you use a stereo reverb pedal?
The first example is the most typical way to plug your pedals in stereo. So I have my guitar cable. That goes into two mono pedals. After I have my delay pedal with one input. And two outputs.
How do you get a good reverb sound?
To keep those all-important details intact and still get a spacey feel, here are eight tips for managing a reverb-heavy mix.
- Use your reverb’s high-pass filter. …
- Use your reverb’s low-pass filter. …
- Automate reverb parameters. …
- Pan verbs for width. …
- Determine the location. …
- Use less than you think. …
- Compress your vocal ‘verbs.
How do I choose a reverb?
An Easy Way to Choose the Right Reverb
- Think about the tempo of the song. …
- Think about the wetness of the song. …
- Think about the lushness of the arrangement. …
- Think about the rhythm of the vocal track. …
- Think about the room. …
- EQ Your Reverb.
How do I get perfect reverb time?
How do I calculate reverb time?
- Obtain your song’s bpm (beats per minute) and time signature.
- Divide 60,000 by the bpm number.
- Write down the result. This is the duration of the beat unit (quarter, eighth, etc.) …
- Multiply or divide this result by two to obtain longer or shorter notes’ lengths.
Do you master in mono or stereo?
You should submit a stereo mix of your song for mastering. This will provide a more full and natural sound when compared to submitting a mono file.
Why mixing in mono is the secret?
When we mix in stereo we can separate mix elements out in the stereo field to make them easier to hear. When we collapse the mix to mono, these different elements start to obscure each other again. The fact is, that if your mix isn’t clear and punchy in mono – it just “isn’t ready yet”.
Do you mix in mono or stereo?
Songs with vocals are mixed so that the priority focus is on the lead singer. Therefore, most producers and engineers opt for mixing the dry lead vocal signal in mono, while mixing the vocal effects, such as reverb and delays in stereo. You may have heard of the “Tree” Formula of mixing.
Why is mono better than stereo?
You’re also limited to a smaller soundstage. But, if you want to record solo vocal tracks or a solo instrument, mono is the better choice. This is because you get more focused and balanced-sounding audio that sounds great on single-track recordings.
When should you mix in mono?
A mono mix is when your music, recordings, or any other type of audio is played at equal volumes out of both speakers (no panning), meaning the listener won’t experience two separate channels but one single channel (called the center channel or mono channel) in the center of the stereo field.
What tracks should be mono and stereo?
Mono tracks should make up the bulk of the channels in your mix. Unless your source has a natural spread of stereo information, recording in mono is your best bet. You might think that too many mono channels would make your mix sound narrow. Stereo audio mimics how you hear sound in the real world with your two ears.
Should you pan in mono?
A mono track can be panned anywhere in the mix – hard left, hard right, and anywhere in between. In fact, panning a mono track, can sometimes create a much more defined and focused picture of the sound you are panning – rather than trying to pan a stereo file (more on that below).