What is the difference between a musical and a rock opera?

Asked by: Tanya Jones

A musical is a play or a show with dialogue as well as music and songs throughout. An opera, rock or otherwise is all music and singing with out other dialogue. The story is told through the songs.… If it is on a secular topic, there are no spoken words and includes acting, it is an opera.

What’s the difference between a rock opera and a musical?

The key difference between a musical and an opera is that a musical contains spoken word. While a musical alternates singing with “regular” acting, an opera’s story is completely conveyed through singing.

What is the difference between opera and musical instruments?

They are both made up of several songs, or musical pieces, connected by lines of dialogue; this is usually spoken in a musical, whereas in an opera it is performed as a recitative in which the dialogue transpires in a melodic or musical pattern.

How is opera like rock?

A rock opera, like a regular opera, is a theatrical composition in which nearly all of the words are sung. Unlike traditional operas, which rely on classical music to tell their story, rock operas employ rock music to do so.

What qualifies something as a musical?

Musical film is a film genre in which songs by the characters are interwoven into the narrative, sometimes accompanied by singing and dancing. The songs usually advance the plot or develop the film’s characters, but in some cases, they serve merely as breaks in the storyline, often as elaborate “production numbers”.

Why isn’t Hamilton considered an opera?

The way I see it, the only reasons for Hamilton to be classified as a musical are two: It makes commercial sense – opera has a niche audience. Musicals still have wider acceptance into popular culture. Hamilton uses microphones and its actors do not use a ‘classical’ vocal technique.

What makes a rock opera?

A rock opera is a collection of rock music songs with lyrics that relate to a common story. Rock operas are typically released as concept albums and are not scripted for acting, which distinguishes them from operas, although several have been adapted as rock musicals.

Is Les Miserables an opera or a musical?

It was an opera. The difference is that an opera is a show with the entirety of its dialogue and songs are sung, and none are spoken where as a musical is a combination of both singing and speaking.

What is the difference between opera and musical play in acting?

Musicals tell a story with a performance combined with dialogue, music, and dance; whereas an opera is a performance where music is the main focus of the performance.

Is Sweeney Todd an opera or musical?

The show features a classical singing style, a dramatic plot and even has “opera” in its name. But Andrew Lloyd Weber’s long-running favorite is, in fact, considered a musical. Sweeney Todd is also considered a musical but one that is often performed by opera companies.

Is Phantom of the opera an opera?

The Phantom of the Opera is not an opera. The Phantom of the Opera is a musical. In fact, it could be one of the greatest musicals of the last century. That being said, it is still not an opera.

What did Judge Turpin do to Lucy?

She is the faithful and loving wife of Benjamin Barker and mother of Johanna Barker, whose life is destroyed by the evil Judge Turpin, who exiles her husband in order to have her all to himself. Soon afterward, Turpin rapes her, so she then poisons herself with arsenic.

Does Johnny Depp sing in Sweeney Todd?

Mr. Depp has debunked his own musical skills in interviews. Though he played guitar in rock bands for years and sang backup vocals, he has said that when he signed up for “Sweeney Todd” he had never sung a complete song in public.

Is there a Sweeney Todd 2?

Sweeney is back after three decades, according to the genius behind the hit musical. Composer and lyricist Stephen Sondheim has said that a sequel to the Broadway hit Sweeney Todd is in the works.

Is Sweeney Todd a true story?

Sweeney Todd is a fictional character who first appeared as the villain of the penny dreadful serial The String of Pearls (1846–47). The original tale became a feature of 19th-century melodrama and London legend.