What can a dominant seventh over a submediant chord resolve to?

Asked by: Scott Johnson

It represents a tonicization of the relative minor key (A minor in the key of C). A very common alternative would be the resolution to IV, as pointed out by you and in ttw’s answer. This is a deceptive cadence, where a dominant seventh chordseventh chordA seventh chord is a chord consisting of a triad plus a note forming an interval of a seventh above the chord’s root. When not otherwise specified, a “seventh chord” usually means a dominant seventh chord: a major triad together with a minor seventh.

What do dominant seventh chords resolve to?

Dominant seventh chords harmoniously resolve into a major triad via voice leading, wherein each note moves stepwise between chords. In the case of an E7 chord, the G♯ resolves up a half-step to the note A, and the D resolves a half-step down to a C♯.

Does the 7th of a chord resolve down?

There is one general rule for voice leading any seventh chord: resolve the 7th of the chord down by step. All other voices should move smoothly to the nearest chord tone in a voicing containing the appropriate doubling.

What scales to use over dominant 7 chords?

10 Scales You can Play Over A Dominant 7 Chord

  • Major Pentatonic. Scale: 1 2 3 5 6. …
  • Mixolydian. Scale: 1 2 3 4 5 6 b7. …
  • Dominant Pentatonic. Scale: 1 3 4 5 b7. …
  • Major Blues. Scale: 1 2 b3 3 5 6 b7. …
  • Lydian Dominant. Scale: 1 2 3 #4 5 6 b7. …
  • Mixolydian b6. Scale: 1 2 3 4 5 b6 b7. …
  • Phrygian Dominant. …
  • Half/Whole Diminished.

What does A7 resolve to?

The A7 is the fifth chord in the key of D. It resolves naturally to the D Major chord.

What chords resolve to what?

Chords that Resolve Directly to the V

In other words it is the dominant of the dominant. If you took the V chord (G) and wrote out its major scale the 5th degree of that scale (G major scale) is the same as the II chord (in this case it is D).

What is Submediant music?

In music, the submediant is the sixth degree ( ) of a diatonic scale. The submediant (“lower mediant”) is named thus because it is halfway between tonic and subdominant (“lower dominant”) or because its position below the tonic is symmetrical to that of the mediant above.

How does the 7th in a V7 resolve?

If the seventh is in the bass, it must resolve down by step, creating a first-inversion I chord. V7 to VI (or vi) will often double the 3rd in the VI (or vi) chord, just like triads (that is, V to VI or V to vi). When circle-of-fifths sequences occur with seventh chords, the sevenths resolve down by step as usual.

What is an unresolved seventh?

3. Chordal sevenths are unresolved or resolved incorrectly. (The voice with the seventh must move down by step or maintain the same pitch, depending on the next chord.) 4. The leading tone in an outer voice is unresolved or resolved incorrectly.

How do you resolve V7 to tonic?

Next if the leading tone appears in the soprano. Voice as is the case here. It must resolve up to scale degree. One. Then move scale degree two down to scale degree one.

What can you play over A7?

5 Different Ways to Play Over an A7 Chord

  • E minor pentatonic. We’re going to play: E (5th) – G (7th) – Root (A) – B (9th) – D (4th/11th).
  • F# minor pentatonic. We’re going to play: F# (6th/13th) – Root (A) – B (9th) – C# (3rd) – E (5th)
  • B minor pentatonic. …
  • A dominant seventh pentatonic. …
  • B dominant seventh pentatonic.

How do you find the resolving chord?

If we look at a major scale like C. The tonic is a major chord the sub-dominant is a major chord. And the dominant is a major chord one four and five if we go into C minor.

What does F resolve to?

The second example substitutes V7 for the dominant triad, but maintains similar spacing. In this case, F follows its usual resolution to E, B moves to C, G in the bass drops to C, and D would normally go to C – you get a bare root and third sonority (which is surprisingly common in actual use).

What does D minor resolve to?

In the key of D minor, you would want to resolve back to the D or the A. In most cases, you will be resolving back to the tonic (the first note of the scale), but ending with the dominant is common in melodies meant to end on a suspenseful note – keep that in mind as you play around with common chord progressions.

What is a dominant 7th scale?

What are dominant seventh chords? In music, a dominant refers to the fifth note of any scale (ie. “sol” in “do-re-mi-fa-sol). A dominant seventh chord consists of the dominant triad (fifth note of the scale is the root of the dominant chord) and an added note a minor seventh above the root.

How do you fix a diminished 7th?

How to write diminished sevenths

  1. decide on the chord to which your diminished seventh will resolve. …
  2. write down the note below the root of this chord. …
  3. then add a sharp or a natural if necessary so that it is a semitone below the note it will resolve to. …
  4. add three thirds above the root of your diminished seventh.

How can diminished chords be resolved?

We can exchange the V7 chord for the diminished chord located one semitone above it. For example, the G7 chord could be replaced by the G#° chord (or its equivalents B°, D° and F°).

What is a vii6 chord?

So a one chord into the inversion of a one sixth chord and that chord is a seven six chord it's a chord that has the second scale degree in the bass.