Should the inversions of VII and VII7 in minor be seen as dominant chords in the relative major?



Asked by: Emily Maldonado

Can a minor chord be a secondary dominant?





Both major triads and major–minor seventh chords can be secondary dominant chords. Notice the chromaticisms in the example above. The raised notes generally act as the leading–tone to the root of the chord being tonicized. In the major mode, the only secondary dominant with a lowered chromaticism is V IV V 7 / IV .

Is VII major in a minor key?

The vii is an minor 7 b5, or half diminished. You have leading tones all over the place. In fact it is an extension of the V7 so it can serve as a dominant to the major key. the (1, 3, b5, b7) of the vii are the (3, 5, b7, and 9) of the V.

Is VII diminished in minor?

Answer C: Although the symbol for the viio chord is written with lowercase letters, it also has a small circle indicating that it is not minor, but rather diminished.)

What makes a chord dominant?

A dominant chord is a major triad built on the fifth scale degree of either a major scale or a minor scale. Major triads consist of a root note, a major third, and a perfect fifth. A dominant seventh chord adds an additional scale degree—the flat seventh (also called a dominant seventh).

Are secondary dominants always major?





No, secondary dominants aren’t required to be seventh chords. They can be plain triads (e.g. V/vi). They also aren’t required to be major or have a major triad–I’ve heard plenty of vii°7/V chords, and those are diminished 7th chords. The “vii°7” would be the Barry Harris style dominant.

How do you tell if a chord is a secondary dominant?

Determine the note that would be a perfect 5th below the root of the chord you are analyzing. If this note would be the root of a diatonic chord, the chord you are analyzing is a secondary dominant.

Can the VII chord be minor?

For instance, the VII chord in A minor is a G-major triad, and the III chord in A minor is a C-major triad. The expected VII – III motion in A minor is identical to the typical V – I resolution in C major.

Which chords are major in A minor key?

Note: In all minor keys, chords i and iv are minor chords. Chords III, V, VI and VII are major chords. In addition, chord ii° is a diminished chord. The method used for working out the chords of the key of A minor can be applied to any other minor scale.

Which of these inversions is are possible with a seventh chord?

INVERSIONS. Because there are four notes in the seventh chord, there are four possible inversions (including root position). The inversions follow the same pattern as triad inversions: Root Position, First Inversion, Second Inversion, and Third Inversion.



Why is dominant 7th chord called dominant?

The reason behind its name “dominant seventh chord” is because, in a C7 chord, the B flat is the 7th note of the C dominant scale (also known as the Mixolydian scale). This contrast with the regular major 7th found on a Cmaj7 (which is the note B natural).

Which dominant 7th chord will appear in the key of G major?

The G dominant 7th chord contains 4 notes: G, B, D, F. The chord spelling / formula relative to the G major scale is: 1 3 5 b7.

What is the difference between a major 7th and a dominant 7th?

A major 7th chord is formed by playing the root (1st) + 3rd + 5th + 7th notes of a major scale. A dominant 7th is formed by simply lowering the 7th note a half step. As an example, Cmaj7 = C – E – G – B (7th note). Lower the 7th note a half step, from B to Bb, thus Dominant 7th = C – E – G – Bb.



Is Minor 7 and dominant 7 the same?

While the dominant seventh chord is typically built on the fifth (or dominant) degree of a major scale, the minor seventh chord is built on the second, third, or sixth degree. A minor seventh chord contains the same notes as an added sixth chord.

Is a major minor 7th a dominant 7th?

There are 5 types of 7 chords for practical use in tonal music: Major 7. Minor 7. Dominant 7 (or just “7”)

How can you tell the difference between a major and minor 7th chord?

Whereas a major 7th was only a semitone down from the root, a minor 7th is one whole tone down from the root. So in C7, the 7th would be… Bb (B flat).

What is the difference between A minor 7th and a diminished 7th?

The half diminished chord (m7b5) has a minor seventh (7) – it’s a m7 chord wth a flat five (b5). The diminished chord has a diminished seventh (dim7, °7). The minor 7th is again decreased by a semitone and hence is equivalent to a sixth (6) – only the theoretical approach is different.