Is there an efficient approach to setting distorted guitar EQ when mixing?

Asked by: Katrina Johnson

How do you make a distorted guitar sound good in a mix?

Try filtering out the subs to beef up the low-end without muddying up the mix. To add even more grit and growl to your guitar tone, try creating a parallel distortion chain. Use your favorite distortion plug-in to absolutely annihilate the signal and subtly blend in the return to add thickness and depth.

How do you EQ a distorted guitar?

Post-distortion EQ affects only the distortion tone.

  1. Tighten. Insert a sharp high-pass filter to reduce frequencies below about 100Hz. …
  2. Beef Up. Too much boost in the 200Hz to 400Hz range often results in a muddy tone, but a little boost can give a beefier sound. …
  3. Airy & Bright. …
  4. Boomier. …
  5. Articulate. …
  6. Honk. …
  7. Smile.

How do you fix distortion with EQ?

Step 1: Boost high frequencies with a high-shelf EQ boost before distortion, then attenuate the same frequencies again with a high-shelf cut afterwards. Saturating just the high frequencies can make them sound softer, silkier or smoother, assuming you’re using a good quality saturator with oversampling.

How do you EQ a guitar on a mixer?

Once you've found the offending frequency then you dip it out with your EQ band then turn it on and off just to compare. And make sure that you're not cutting too much out of your tone.

How do you mix distortion?

Four Ways To Bring Your Mix To Life With Distortion

  1. Warm Up Your Mix With Analogue Modelling Plug-Ins. Running your tracks through analog modeling compressors and EQs can really do a lot to warm up a sound. …
  2. Add Detail and Clarity to Bass Lines. …
  3. ‘Glue’ Sampled Drums Together. …
  4. Power Up A Weak Vocal.

How do you get a smooth distortion sound?

For each level of distortion, a dedicated pedal can be used. An overdrive pedal a.k.a Tube Screamer, will provide minimal distortion, which is useful for rhythm guitar parts; a distortion pedal will increase the amount of distortion, and therefore increase the sustain of the notes, which is good for solos.

Should you compress guitars?

Compression lets you glue the sound together. You can sometimes even out your tone through your playing, but because of the guitar’s tonal nature, you’ll never even out the sound the way you can with a compressor. It’s very common for guitarists to use compression with super-clean acoustic and electric guitars.

How do you EQ properly?

Positive gain values indicate a boost while negative ones make it a cut frequency the frequency is the center of your EQ bands action this control determines the range where booster cuts will occur.

Where should guitar sit in a mix?

So minus 3db on the channel on the left.

How loud should guitars be in a mix?

It should be loud enough that the low frequencies are rich and powerful, but not so loud that it masks the bottom-end of the snare drum. Then, start bringing in the toms. These can be almost as loud as the snare if they’re used sparingly, but if they’re heavily featured they should sit a little further back in the mix.

How do you get rid of distortions?

I'm going to select the track and we'll choose effect clip fix and I'm going with a threshold of 95 or 96. It's it defaults to 95.

What causes distortion in a mix?

Digital distortion happens when an audio signal goes past the maximum volume capacity of a DAW, which is generally 0 dB. In order to continue playback, DAWs will squash the parts of the signal above the distortion threshold, clipping the waveform.

Is saturation a distortion?

Saturation and distortion are terms that are often used interchangeably. And technically speaking, saturation is a form of distortion.

Is soft clipping the same as saturation?

Soft Clipping is saturation, but usually affect only on signals that reach highest levels. Kinda saturation with a higher ‘threshold’ . It’s often set to distort only the upper last 3dB or so. BTW plain clipping is also saturation.

What is saturated guitar tone?

Saturation is an audio effect that adds harmonic frequencies and applies soft-knee compression. It usually occurs when an audio signal crosses the 0dB gain limit, but It is widely used today both as a creative effect and to fix a lack of certain frequency groups (mostly high frequencies).