In gain staging, what’s the safest way to make a track audible?



Asked by: Ashley Aus

What is the proper way to Gainstage?





A good place to have your pre gain at is again around negative 10 to negative 18 DB. And going lower than this level won't make your mix sound better it's just a safe range to stick to if.

Do you gain stage before recording?

What is gain staging? Gain staging is the process of making sure the audio is set to an optimal level for the next processor in the chain in order to minimize noise and distortion. By gain staging through your analog and digital systems, you can achieve the best possible sound for your recording.

What level should you gain stage to?

-18dBFS

So maintaining the same concept of optimal gain staging that you use during recording is your best bet: –18dBFS is a good average level to aim for. Keeping it conservative will help you maintain proper gain structure throughout your mix.

How do you increase staging before mixing?





As you process your audio with plugins during the mix you'll be affecting their levels compressor make up gain EQ boosts and cuts and other mixing processes are level based operations.

What is the key to a good mix?

Balance: The mix should offer a good balance of the levels of each instrument, vocal, etc. while preserving the musicality and emotion of the song. Clarity: Properly representing the entire frequency range is huge when perfecting your overall mix.

What does headroom mean in audio?

What Is Headroom? Headroom is the available space in dB (decibels) between your loudest peak level (transients) and 0 dBFS (decibels full scale). It’s a buffer you leave unused. Think of headroom as your “safety zone.”

Should I normalize audio before mixing?

Normalizing audio is an effective strategy for making samples, and vocal takes more consistent in volume before/during mixing and even as a method for mastering to bring a group of final music, podcast, or television mixes up to a consistent level.

Do you need to gain stage vocals?

In your master. To turn up your whole entire mix to get it as loud as you would hear is something on the radio. That Headroom is very important.



How do you make your voice pop?

And then we've just got some eq to kind of take out some of the low mid some of the low end to make it really pop. Another de-esser. And then just some multi-band compression.

How do I get more headroom for mastering?

3 Ways To Create More Headroom In Your Mix

  1. No Room To Mix. If you don’t leave enough headroom in your DAW then you really have to where to go with your mix. …
  2. Turn Your Tracks Down. …
  3. Use Your High Pass Filter Often. …
  4. Cut The Ugly Low Mids. …
  5. What’s Stealing Your Mix’s Headroom?




Where should gain be set on mixer?

The meters in the master section with the microphone you probably won't see much until you hit 12 o'clock. And then after that as you can see the meters will start to read higher.

Do you need parallel compression?

Although most commonly used on drums and vocals, parallel compression can be used whenever you need to increase the presence and punch of an instrument, but still want to keep the dynamic quality of the original audio.

Does parallel compression cause phasing?

If you implement parallel compression by setting up the compressor as a send effect (a pretty common choice of routing), you’ll only get phasing between the unprocessed and processed signals if the routing or processing introduces a time delay between the two audio streams.

When should compression be used?

Compression is used to reduce the dynamic range of an audio signal. A compressor is like an automatic volume knob that turns down an audio signal’s level when it gets too loud.



What does parallel compression sound like?

With parallel compression, you duplicate a sound and only compress the duplicated version. So you end up with two different channels. Both of them are playing the same sound, but one’s compressed and the other isn’t.

What is Manhattan style compression?

It uses a Manhattan-style of compression, which is to say a form of parallel compression that tightens up your sound without squashing all of its dynamics.

What is New York style compression?

Parallel compression, also known as New York compression, is a dynamic range compression technique used in sound recording and mixing. Parallel compression, a form of upward compression, is achieved by mixing an unprocessed ‘dry’, or lightly compressed signal with a heavily compressed version of the same signal.