How to select and organize samples of electronic drum sounds?

Asked by: Glen Xayamonty

How do you organize drum sounds?

So I got these organized by breaks one shots and then this is a particular company with some refills. I don't use them often so I keep them separated. So I know that their stand out for more self.

How do you choose drum samples?

And that little knock now once again you could choose any drum sounds you want to use in your project it is your own personal preference and it is subjective.

How do I organize my sound pack?

Sound type upper things you want to include words that fits him with the way that you personally view your samples. Maybe view samples in terms of kicks and Foley and pads and one-shots.

How do you make a sampled drum sound good?

So, here are 18 things you can do to give your drums the wow factor.

  1. Think about the high-end. When picking kick drum samples, pay particular attention to the high end of the sound. …
  2. Layered snares. …
  3. Double snares. …
  4. Control the tail. …
  5. Shift the pitch. …
  6. Ride the waves. …
  7. Use two hi-hats. …
  8. Cut out the quantise.

How do you organize a sound sample?

I can drop down into some of the samples. Go for something house and techno I can go for a loop here. And I can choose something from maybe the percussion loops right here.

How do you organize a splice sample?

So you can hit command a and then hold option on mac and just move this into any folder that you want to so i already did that here and i also went a step further. And literally just organized.

What makes a good drum sample?

However, in order to create a specific and consistent aesthetic for the track, the majority of your drum samples should work together. A good place to start is with one of the main drum sounds—the kick or snare / clap. These drum sounds will provide much of the sonic character for your drum kit, and in turn your track.

How do you identify drum sounds?

We're going to start with that drum on the floor. And the largest one called the bass drum. That's entitled the bass drum the one right in front of you is called the snare drum.

How can I make my electronic drums sound more real?

15 Simple Tips for Making MIDI Drums Sound Real!

  1. 1) Use a good VST. …
  2. 2) Vary the MIDI velocity levels to add random variation. …
  3. 3) Use drum machine or keyboard to make it more real. …
  4. 4) Create some ghost notes. …
  5. 5) Throw in some slightly off-beat notes. …
  6. 6) Apply a Groove (If your DAW allows it)

Should I compress drum samples?

If you’re looking to add sustain to your drum samples, try using a compressor with a long release time. To add punch and help them cut through the mix, use a compressor with a fast release time, or a dedicated transient enhancer like PUNCH.

How do you EQ an electronic drum?

High mid and or treble boost can help the kick cut through the mix. Here we've added a boost at 2k. And another at about.

What frequency should a snare be at?

A standard 14 inch snare drum can usually be tuned sound great at a fundamental frequency of 170 Hz and also tiger up at 200 Hz too. Thinner and lighter drumheads can be tuned to vibrate at higher frequencies, which is an acoustics principle that applies to guitar strings too.

How do you filter drums?

Plugin. So now all I have to do is go to the drum buss hit a so I can see the automation view and then I can draw in the filter cutoff.

Do you compress electronic drums?

Generally for electronic drums you’re going to want compression to shape the character of the sound, not control the dynamics. EG: The important bass in a kick drum often occurs just (very soon) after the initial transient.

How do you get a punchy kick drum?

Control in tandem. And this is a great thing about these fook technique use is by combining both a boost and an attenuation we're able to get these really unique curves.

What does parallel compression do?

Parallel compression, also known as New York compression, is a dynamic range compression technique used in sound recording and mixing. Parallel compression, a form of upward compression, is achieved by mixing an unprocessed ‘dry’, or lightly compressed signal with a heavily compressed version of the same signal.