How can I mix vocals well, with only a single line of recording?

Asked by: Sara Helton

How do you mix solo vocals?

7 Simple Tips to Mix Vocals Like a Pro

  1. Bring Them in Early. The beginning of a mix is like a blank canvas. …
  2. Process Them in Context. …
  3. Use Pre-Delay. …
  4. Find the Right De-Esser. …
  5. Avoid Ultra-Fast Attack Times. …
  6. Don’t Rely on Compression Alone. …
  7. Pay Attention to Breaths and Other Noises. …
  8. 3 New Courses Just Released.

How do you record and mix good vocals?

How to Record and Mix Clean Vocals at Home

  1. Decide on your tools at the outset. …
  2. Establish a consistent recording environment. …
  3. Treat your environment as much as possible. …
  4. Quiet your environment as much as possible. …
  5. Learn to identify a good vocal sound, then go for it. …
  6. Use the mic to your advantage with good mic technique.

Can vocals mix without stems?

You can mix a song without stems. However, you cannot mix without individual tracks.

Should I record vocals before mixing?

Always record your vocals completely dry and add effects in the mixing stage. Always! The reason you want to record a dry signal, which means no time-based effects like reverb, delays, and echoes, is to keep your options wide open when you begin to mix.

Why is mixing vocals so hard?

Mixing is hard because you have to train your ears to hear stuff you haven’t previously heard. It’s like learning an instrument. It takes patience and practice. And once you can hear all that stuff you still have to experiment a lot to have an opinion about it.

What effects make vocals sound better?

To make vocals sound better, start by editing – when editing, cut out background noise, use clip gain to balance dynamics, and even remove plosives or unwanted sibilance. Then you can introduce subtractive EQ, Compression, Additive EQ, Saturation, Exciters, and various forms of short and long reverb.

How do I make my vocals closer?

To make a vocal sound close in proximity, record closer to the microphone, use compression with a slower attack and fast release, boost the high frequencies, and keep the vocal as dry (less reverb) as possible. By combining these three techniques, you can get a very close-sounding vocal.

What is the best vocal chain?

We’ll master it for you and send you a sample to review.

  • Insert 5: FabFilter Saturn 2, Saturation.
  • Insert 6: Seventh Heaven Pro, Room Emulation.
  • Insert 7: Oxford Inflator, Compression.
  • Send 1: Seventh Heaven Pro, Reverb.
  • Send 2: Arturia Memory Brigade, Delay.
  • Send 3: Antares Auto-tune, Vocal Tuning.

How can I record my voice like a professional?

The Easiest and Fastest Way to Record and Edit Voice Over Audio!

  1. Write a script. Having a script is probably the single most important thing you can do to ensure your voice over sounds professional. …
  2. Do a test recording. …
  3. Record your voice over. …
  4. Edit your audio. …
  5. Import your audio into your video editor.

Should you master your beat before vocals?

Master Beat Before or After Vocals

The learning process will be much more lively and active if you do it at one time without delay. Your best bet would be to blend vocals with beat and hone them together. Likewise, mixing vocals and beat sounds will allow you to experiment, open up new boundaries and go beyond.

What level should vocals be in a mix?

Here’s how loud your vocals should be in a mix: Your vocal level should be lower than the drums, but louder than the instrumentation.

Do all vocals need compression?

For modern genres, they often need to be up front at all times. If not, your mix will suffer. One of the most effective tools at your disposal for crafting consistent vocals is compression. When combined with automation, compression can make your vocals sound loud, punchy, and modern.

How do you know if your vocals are too compressed?

Too much compression produces a flat, non-dynamic performance that doesn’t have a “live” feel to it. An overly compressed vocal will feel unnatural and dull to the listener, so it’s key to avoid this point if at all possible. Lead vocals should be consistent, but still, have a degree of dynamic fluctuation.

Should I compress vocals while recording?

So perhaps the best advice is to conservatively apply the best of both worlds: use a little compression while recording — just enough to help limit the most unruly peaks and phrases and to even out the recorded signal — and then add more compression to taste during mixing.

Should you record vocals with EQ and compression?

And the cool thing with those interfaces is you can use compression. And reverb. And EQ only to monitor yourself so only to give to the singer.

Should you record vocals dry?

Like we mentioned above, vocals should be recorded as dry as possible, so it’s generally best to avoid spaces with a lot of natural reverb or highly reflective surfaces. Contrary to popular belief, you’re also better off avoiding closets. Unless you want your vocals to sound like—well—they’re recorded in a closet!

Do you EQ before or after recording?

Each position, EQ pre (before) or EQ post (after) compression produces a distinctly different sound, a different tonal quality, and coloration. As a rule, using EQ in front of your compressor produces a warmer, rounder tone, while using EQ after your compressor produces a cleaner, clearer sound.