Harmony – Non-Chord Tones in Bass?



Asked by: Connie Miller

Can you have a non-chord tone in the bass?





Nonharmonic bass notes are bass notes that are not a member of the chord below which they are written.

How do you harmonize non-chord tones?

Move in the same way that the lead note moves so it's going a half step up i'll make them all go a half step up so i know that that makes it a momentary really weird chord.

How many non-chord tones are there?

nine types

Non-chord tones are notes that do not belong to the chord. Sometimes referred to as “embellishing tones” and “non-harmonic tones,” non-chord tones are classified by how they are approached and left (either by same tone, step, or leap). There are nine types of non-chord tones.

What is the difference between chord tones and non-chord tones?





That's my resolution in the next measure I have a descending passing tone I go down from G to F F. Being my non-core tone and I keep moving in the same direction down to e resolving. Back to a chord

Can you have two non-chord tones in a row?

Passing Tone (PT)



Passing Tone – approached and left by step in the same direction. Can have more than one in a row. Can be accented or unaccented.

What is a chordal skip?

Chordal skips can be inserted to avoid parallel octaves and fifths. In this example, the parallel fifth between bass and tenor, beats 2 & 3, can be avoided with a chordal skip in the tenor. The tenor’s chordal skip avoids the parallel fifth. The prevailing stepwise motion of this melody is humdrum, to say the least.

What are non chordal notes?

Nonharmonic tones (or non-chord tones) are notes that do not belong in a certain chord. Non-harmony notes (or nonharmonic tones) are notes that do not belong in a certain chord. In this example, the F is a nonharmonic tone because it does not fit into the I chord (which contains C, E, and G).

What are embellishing tones?

A passing tone is a melodic embellishment (typically a non-chord tone) that occurs between two stable tones (typically chord tones), creating stepwise motion.



Which Nonharmonic tone is always accented?

The three types of Suspension movement in chord tones are 4-3, 7-6, and 9-8. All Suspensions will move stepwise downward. Suspensions are always accented.

How do you use non-chord tones?

10.12 Adding Non-Chord Tones to a Chord Progression

  1. Add a suspension by delaying the resolution of the note.
  2. Add an escape tone by moving by step in the opposite direction of the original stepwise movement, then leap.
  3. Add a double neighbor.
  4. Add a chromatic passing tone.
  5. Add an anticipation.




How do you practice chord tone soloing?

So we're gonna be in a give F one bar that to D seven flat nine. And the reason I'm doing this I want to practice the the six to two to five progression. Then G minor seven to c7.

How do you find chord tones?

After the first note of a if we want to get the chord tones we just skip over b. And then jump to the note of c. And then skip over d. And get to the note of e.

What are guide tones in music?

Guide tones are simply the third and seventh notes of a chord (sometimes the third and sixth if the chord is a simple triad or sixth chord). Guide-tone voicings have long been popular with jazz musicians, including guitarists Grant Green, Jim Hall, and pianist Red Garland.

What is chord improvisation?

So if the chord literally just said C major the seventh still counts as a chord tone. We can even extend this to the ninths as well. The night this is a chord tone.



What are chordal tones?

A chord tone is just a note that exists within a certain chord. So, for instance, the chord of C major is made from 3 notes – C, E, G – they are called the “chord tones”. For Dm7, the chord tones are D, F, G, Bb, There are many many ways to approach soloing.

What scales to improvise over chords?

It is hard to go wrong with Pentatonic Scales. They limit themselves to 5 notes that work well over many different chords. The rule is to use Major pentatonic scales over major chords and minor pentatonic scales over minor chords. This works well for most chords.